Senior Skills – How To Take Effective Notes

Throughout this first week of class we have covered a lot of content – your summer reading novel, the early history of English in the Anglo Saxon period and the differences between modern and Old English, Anglo Saxon poems “The Wanderer”, Beowulf, and the story of “The Dream of the Rood”. With your first test coming up, you need to ask yourself – am I taking enough notes? Am I taking ‘good’ notes?

As seniors you will probably realize that reading over assignments or texts once will not be enough – likewise, jotting things down in class and reading over them once will also probably not be sufficient to get the grade you desire. Below you will find a few helpful tips for note-taking that will (hopefully) help you out this semester.

1.Write things down in class, but know that these are not ‘notes’. Good notetakers re-write their messy notes.

You’re probably thinking “Wait, what?”, but yes – your messy, jotted down notes from class are not actually good ‘study notes’. Rewriting these notes for legibility does two things – one, it gives you a better copy to study from in the future and two, is a form of studying and reinforcing the information as you have to read the text (visual/cognitive) and rewrite the text (knesthetic/cognitive). See the student examples of messy class notes, and rewritten notes below.

 

 

 

 

 

2. Find a method of notetaking that works for you – yes, there are different ways to take notes!

Simply writing everything your teacher says in a long list is not effective note-taking. You need to find a way of organizing your notes that works for you, whether its a formal style like Cornell Notes or the Outline Method (this works great for textbook note-taking), or even the Doodle Method (yes, drawing pictures helps!). Maybe you have a system of using highlighted sections, color coding, or diagrams. Whatever it is, find the method that works for you.

 

 

 

 

 

 

 

 

 

3. Don’t try to write everything down in class.

As seniors you hopefully know by now that trying to copy everything down word for word from a powerpoint, or that your teacher says, is a fruitless endeavor. You need to focus on getting just the key facts down, and doing so in your own voice. Re-reading my technical, dry powerpoint text later isn’t as effective as reading your own voice and natural word choice. Additionally, when you rewrite your notes (see #1 above) you can also go back and add in extra detail that you didn’t have a chance to get in class. Moreover, you will have the benefit of having the entire class to ruminate on, and all the additional connections you made to integrate and add to your notes later.

 

4. You can also RECORD your notes!

Are you an auditory learner? You may want to consider downloading a free sound recording app on your phone (voice memo for ISO is terrible you guys…) and recording yourself reading these notes. I am a strong auditory learner – because of this I use up most of my data on audiobooks and podcasts – and I remember the things I hear. This also means that for big projects, or when I attend a conference and have ideas I’d like to work on or get back to later, I record myself discussing these ideas outloud. Later, I can play them back to jog my memory, or to transcribe in any written or typed notes I take. Or, you can read your written notes aloud and listen to that sound file when its time to study. There are all kinds of new apps coming out for auditory note-takers, but if you don’t want to pay for them, just get a free sound recording app and try it out.

 

5. You might use a variety of note-taking styles.

I listen to auditory notes and podcasts and audiobooks. I jot quick notes on sheets of paper or handouts or napkins or whatever I have around. I rewrite my notes to look ‘neat’ and usable long into the future. I highlight, underline, use different colored highlights. I use everything I need to have effective notes that help me remember the content so I can put it to use and learn it – and so I can refer back to it whenever I need a refresher. Know that you may use a combination of lots of different styles until you find what works for you! Below you’ll see an example of notes I took FIVE YEARS AGO that I STILL USE. In them I employed a variety of styles of notetaking… how many styles will work for you?

 

 

12th Grade Literature Fall 2018

Senior Skills – A New Way of Reading

As you may have already realized, senior literature will be a little different than your previous courses. While the larger focus on language use instead of literary analysis is an obvious difference, you may have also noticed that the readings for this class reflect the fact that it is your fourth level English course. Gone are the days of ‘reading over’ your assignments, ‘skimming’ the required text or just reading over it once and being ‘good’.

As your text become more layered and complex, your reading style needs to change to reflect this. Often times you may need to do one, or all, of the following:

  1. Reread the passage multiple times.
  2. Take notes over the passage while reading it to help you understand.
  3. Look up additional helpful information online if you get stuck.
  4. Study and talk to classmates about the readings before coming to class.
  5. Reading any footnotes or supplementary information included in the text.

These are skills that you will need in many different situations – most definitely if you plan on attending a four year college, but also in technical school and training or certification programs, on-site job training and the military. These skills are also not unique to ‘English’ or ‘Literature’ – in fact, I used them most often in my science courses in college.

Steps one through four above should be familiar to you, but footnotes may be new.

While reading a book or article, have you ever noticed little numbers placed at the ends of some sentences?

These numbers usually appear as superscripts and correspond with numbers placed at the bottom of the page, next to which appears further information that is both necessary and supplementary. Sometimes this information will come in the form of citations, but sometimes it will simply present additional notes about the topic at hand.

These citations and explanations are called footnotes (because they appear in the footer of the page).

Long explanatory notes can be difficult for readers to trudge through when they occur in the middle of a paper. Providing this information is necessary, but doing so in the main text can disrupt the flow of the writing. Imagine if every time an author wanted to provide a citation, the entire citation had to be written out at the end of the sentence, like this (Anthony Grafton, The Footnote: A Curious History [Cambridge, MA: Harvard University Press, 1999] 221). Books would become much longer and reading much more tedious. That’s why footnotes are so useful: they allow authors to provide the required information without disrupting the flow of ideas.

Footnotes can include anything from a citation to parenthetical information, outside sources, copyright permissions, background information, and anything in between, though certain style guides restrict when footnotes can be used.

Inc, S. (n.d.). What Are Footnotes and How Do You Use Them? Retrieved from https://www.scribendi.com/advice/what_are_footnotes.en.html

Footnotes can actually save you that extra step of looking up outside information, depending on how detailed or well written they are. But why should you care about the footnotes? The video below looks at the importance of footnotes from a historical perspective, while the article after that examines the importance of footnotes from a literary perspective. You will be encountering both types in the course, so please review both of these resources.

Click here for Jeff Sommer’s article “Consider the Footnote: Why Don’t More Author’s Use This Powerful Tool?”.

Ultimately, footnotes are there to help you and enrich your reading and understanding of a text, its historical context, the related scholarship and research surrounding it, or to add an additional narrative layer to a work of fiction. Know that it may take some time to get used to reading with footnotes – rereading a text at least twice, first to read the text along and second to read the text and incorporate your reading of the footnotes – can be an effective way to adapt to this new reading style.

 

12th Grade Literature Fall 2018

American Romanticism

The “Romantic Period” refers to literary and cultural movements in England, Europe, and America roughly from 1770 to 1860.  Romantic writers (and artists) saw themselves as revolting against the “Age of Reason” (1700-1770) and its values.  They celebrated imagination/intuition versus reason/calculation, spontaneity versus control, subjectivity and metaphysical musing versus objective fact, revolutionary energy versus tradition, individualism versus social conformity, democracy versus monarchy, and so on.

Other elements that influenced the writing of the Romantic period was that the frontier promised opportunity for expansion, growth, freedom (which Europe lacked as it had nothing new to ‘discover’); the spirit of optimism invoked by the promise of an uncharted frontier; the new cultures and perspectives brought in by immigration; the polarization of the industrial north and agrarian south;
and the growth of secularism that had begun in the Puritan Era, and now resulted in Americans looking for new spiritual roots.

As we have discussed in class multiple times, it is very hard to define literary movements are draw a clear line between when this literary era began and ended and when another starts. This is very true for the Romantic period.  Early writers in the Romantic periods are often identified as The Fireside Poets -the first group of American poets to rival British poets in popularity in either country. Henry Wadsworth Longfellow, John Greenleaf Whittier,Oliver Wendell Holmes, James Russell Lowell, and William Cullen Bryant are the poets most commonly grouped together as the ‘Fireside Poets’. Their strict focus on form and meter make their writer seem very British and Victorian when contrasted with later Romantics, but the content of their poetry usually focuses on uniquely American images (images of nature or the frontier,American home life and contemporary politics ). In general, these poets preferred conventional forms over experimentation, and this attention to rhyme and strict metrical cadences made their work popular for memorization and recitation in classrooms and homes. At the peak of his career, Longfellow’s popularity rivaled Lord Alfred Tennyson’s in England as well as in America, and he was a noted translator and scholar in several languages—in fact, he was the first American poet to be honored with a bust in Westminster Abbey’s Poet’s Corner.

Emerson and Thoreau, along with Margaret Fuller, are a part of a literary/philosophical/theological movement known as “Transcendentalism” (they had their own literary magazine, The Dial, which Fuller edited).  They privileged imagination and wanted to resuscitate spiritual values in a era in which institutional religion dominated (or so they felt).  According to them, we are, if we only knew it, Gods in ruin, with the power to regain our spiritual birthright by attending to the divine within. Walt Whitman is also a Transcendental writer, and heavily influenced by Emerson – however, his unique style separates him from other Transcendental writers. As the longest living Romantic writer, Whitman published well into the 1880’s, and later in life readers can see a definite shift in his writings that reflect the work of other Realist (the period after Romanticism)

Dickinson, Melville, Hawthorne and Poe however, were not Transcendentalists, and often (implicitly or explicitly) critique Emersonian idealism. Melville, Hawthorne and Poe are often categorized as ‘Dark Romantics’. Dark Romantics are much less confident about the notion perfection is an innate quality of mankind, as believed by Transcendentalists. They believe that individuals are prone to sin and self-destruction, not as inherently possessing divinity and wisdom. Secondly, while both groups believe nature is a deeply spiritual force, Dark Romanticism views it in a much more sinister light than does Transcendentalism, which sees nature as a divine. For these Dark Romantics, the natural world is dark, decaying, and mysterious; when it does reveal truth to man, its revelations are evil and hellish. Finally, whereas Transcendentalists advocate social reform when appropriate, works of Dark Romanticism frequently show individuals failing in their attempts to make changes for the better.

If all of this sounds really confusing, as all of these periods and genres seems to be overlapping and happening simultaneously, hopefully this graphic will help:

Romanticism Bubbles

Make sure you have a clear understanding of Romanticism and its various sub-genres before we return from fall break! For all of my audio/visual kids out there, please click the link below to watch a short video that covers the Romantic period!

11th Grade American Literature Fall 2017

Notetaking: Cornell Notes

Over the course of the semester you will be taking MANY notes in this class – and you need to find the format that works best for you! Many student do not even realize that there are different note-taking methods they can use, and as a result most students simply write down ‘everything in the powerpoint’, and have a hard time studying or using these notes. One of our goals this semester is to find a note-taking strategy that works for you, so please try out each method at least once to see if you like it.

 

The first strategy we will be working on is the Cornell Note-taking method.

Cornell Notes work well for students who like a clearly organized set of notes, with clear sections for vocabulary, questions, and information.

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As you take notes during lecture of during our short videos, keep track of important words and vocabulary in the far left column. You can go back later and define these words after you finish your notes. You can also write important leading questions in this column – again, to review and answer after you have finished the notes.

 

In the large right hand section you should take you long-form notes from the lecture of video. As the semester progresses you can even combine different note-taking techniques here, writing your notes in this section in outline form or as doodle notes.

 

Finally, the last section at the bottom is a place where you should write a one to two sentence summary of the main idea/key point from the information that has been covered in your notes. This is helpful later during studying AND then trying to sort through your notes for the information you’re looking for (again, we’ll be taking a lot of notes in this class, so this summary section can seriously save you some time later!).

 

 

10th Grade Literature 11th Grade American Literature Spring 2018 Spring 2018

American Romanticism

The “Romantic Period” refers to literary and cultural movements in England, Europe, and America roughly from 1770 to 1860.  Romantic writers (and artists) saw themselves as revolting against the “Age of Reason” (1700-1770) and its values.  They celebrated imagination/intuition versus reason/calculation, spontaneity versus control, subjectivity and metaphysical musing versus objective fact, revolutionary energy versus tradition, individualism versus social conformity, democracy versus monarchy, and so on.

Other elements that influenced the writing of the Romantic period was that the frontier promised opportunity for expansion, growth, freedom (which Europe lacked as it had nothing new to ‘discover’); the spirit of optimism invoked by the promise of an uncharted frontier; the new cultures and perspectives brought in by immigration; the polarization of the industrial north and agrarian south;
and the growth of secularism that had begun in the Puritan Era, and now resulted in Americans looking for new spiritual roots.

As we have discussed in class multiple times, it is very hard to define literary movements are draw a clear line between when this literary era began and ended and when another starts. This is very true for the Romantic period.  Early writers in the Romantic periods are often identified as The Fireside Poets -the first group of American poets to rival British poets in popularity in either country. Henry Wadsworth Longfellow, John Greenleaf Whittier,Oliver Wendell Holmes, James Russell Lowell, and William Cullen Bryant are the poets most commonly grouped together as the ‘Fireside Poets’. Their strict focus on form and meter make their writer seem very British and Victorian when contrasted with later Romantics, but the content of their poetry usually focuses on uniquely American images (images of nature or the frontier,American home life and contemporary politics ). In general, these poets preferred conventional forms over experimentation, and this attention to rhyme and strict metrical cadences made their work popular for memorization and recitation in classrooms and homes. At the peak of his career, Longfellow’s popularity rivaled Lord Alfred Tennyson’s in England as well as in America, and he was a noted translator and scholar in several languages—in fact, he was the first American poet to be honored with a bust in Westminster Abbey’s Poet’s Corner.

Emerson and Thoreau, along with Margaret Fuller, are a part of a literary/philosophical/theological movement known as “Transcendentalism” (they had their own literary magazine, The Dial, which Fuller edited).  They privileged imagination and wanted to resuscitate spiritual values in a era in which institutional religion dominated (or so they felt).  According to them, we are, if we only knew it, Gods in ruin, with the power to regain our spiritual birthright by attending to the divine within. Walt Whitman is also a Transcendental writer, and heavily influenced by Emerson – however, his unique style separates him from other Transcendental writers. As the longest living Romantic writer, Whitman published well into the 1880’s, and later in life readers can see a definite shift in his writings that reflect the work of other Realist (the period after Romanticism)

Dickinson, Melville, Hawthorne and Poe however, were not Transcendentalists, and often (implicitly or explicitly) critique Emersonian idealism. Melville, Hawthorne and Poe are often categorized as ‘Dark Romantics’. Dark Romantics are much less confident about the notion perfection is an innate quality of mankind, as believed by Transcendentalists. They believe that individuals are prone to sin and self-destruction, not as inherently possessing divinity and wisdom. Secondly, while both groups believe nature is a deeply spiritual force, Dark Romanticism views it in a much more sinister light than does Transcendentalism, which sees nature as a divine. For these Dark Romantics, the natural world is dark, decaying, and mysterious; when it does reveal truth to man, its revelations are evil and hellish. Finally, whereas Transcendentalists advocate social reform when appropriate, works of Dark Romanticism frequently show individuals failing in their attempts to make changes for the better.

If all of this sounds really confusing, as all of these periods and genres seems to be overlapping and happening simultaneously, hopefully this graphic will help:

Romanticism Bubbles

Make sure you have a clear understanding of Romanticism and its various sub-genres before we return from fall break! For all of my audio/visual kids out there, please click the link below to watch a short video that covers the Romantic period!

11th Grade American Literature Fall 2017

American Romanticism

The “Romantic Period” refers to literary and cultural movements in England, Europe, and America roughly from 1770 to 1860.  Romantic writers (and artists) saw themselves as revolting against the “Age of Reason” (1700-1770) and its values.  They celebrated imagination/intuition versus reason/calculation, spontaneity versus control, subjectivity and metaphysical musing versus objective fact, revolutionary energy versus tradition, individualism versus social conformity, democracy versus monarchy, and so on.

Other elements that influenced the writing of the Romantic period was that the frontier promised opportunity for expansion, growth, freedom (which Europe lacked as it had nothing new to ‘discover’); the spirit of optimism invoked by the promise of an uncharted frontier; the new cultures and perspectives brought in by immigration; the polarization of the industrial north and agrarian south;
and the growth of secularism that had begun in the Puritan Era, and now resulted in Americans looking for new spiritual roots.

As we have discussed in class multiple times, it is very hard to define literary movements are draw a clear line between when this literary era began and ended and when another starts. This is very true for the Romantic period.  Early writers in the Romantic periods are often identified as The Fireside Poets -the first group of American poets to rival British poets in popularity in either country. Henry Wadsworth Longfellow, John Greenleaf Whittier,Oliver Wendell Holmes, James Russell Lowell, and William Cullen Bryant are the poets most commonly grouped together as the ‘Fireside Poets’. Their strict focus on form and meter make their writer seem very British and Victorian when contrasted with later Romantics, but the content of their poetry usually focuses on uniquely American images (images of nature or the frontier,American home life and contemporary politics ). In general, these poets preferred conventional forms over experimentation, and this attention to rhyme and strict metrical cadences made their work popular for memorization and recitation in classrooms and homes. At the peak of his career, Longfellow’s popularity rivaled Lord Alfred Tennyson’s in England as well as in America, and he was a noted translator and scholar in several languages—in fact, he was the first American poet to be honored with a bust in Westminster Abbey’s Poet’s Corner.

Emerson and Thoreau, along with Margaret Fuller, are a part of a literary/philosophical/theological movement known as “Transcendentalism” (they had their own literary magazine, The Dial, which Fuller edited).  They privileged imagination and wanted to resuscitate spiritual values in a era in which institutional religion dominated (or so they felt).  According to them, we are, if we only knew it, Gods in ruin, with the power to regain our spiritual birthright by attending to the divine within. Walt Whitman is also a Transcendental writer, and heavily influenced by Emerson – however, his unique style separates him from other Transcendental writers. As the longest living Romantic writer, Whitman published well into the 1880’s, and later in life readers can see a definite shift in his writings that reflect the work of other Realist (the period after Romanticism)

Dickinson, Melville, Hawthorne and Poe however, were not Transcendentalists, and often (implicitly or explicitly) critique Emersonian idealism. Melville, Hawthorne and Poe are often categorized as ‘Dark Romantics’. Dark Romantics are much less confident about the notion perfection is an innate quality of mankind, as believed by Transcendentalists. They believe that individuals are prone to sin and self-destruction, not as inherently possessing divinity and wisdom. Secondly, while both groups believe nature is a deeply spiritual force, Dark Romanticism views it in a much more sinister light than does Transcendentalism, which sees nature as a divine. For these Dark Romantics, the natural world is dark, decaying, and mysterious; when it does reveal truth to man, its revelations are evil and hellish. Finally, whereas Transcendentalists advocate social reform when appropriate, works of Dark Romanticism frequently show individuals failing in their attempts to make changes for the better.

If all of this sounds really confusing, as all of these periods and genres seems to be overlapping and happening simultaneously, hopefully this graphic will help:

Romanticism Bubbles

Make sure you have a clear understanding of Romanticism and its various sub-genres before we return from fall break! For all of my audio/visual kids out there, please click the link below to watch a short video that covers the Romantic period!

Click here to watch the notes over Romanticism!

11th Grade American Literature Spring 2017