Revolutionary Literature

As we transition from literature of the Puritan period to literature of the American Revolution, it is important for you to understand that history and its accompanying literature transition SLOWLY – the colonist did not simply wake up one day and realize ‘Hey, we’re in a new literary time period! Let’s change our writing style and beliefs overnight!’. We began to see the slow shift from theocratic colonies governed by religion to a more secular, democratic society with civil courts. Below you will find our notes from class outlining what exactly happened to transition the ideas of the Puritan period to the ideas of the Revolutionary period. Additionally, you will also find a complete list of ideas, concepts, beliefs and characteristics of the Revolutionary period that you may refer to throughout this unit.

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Common Beliefs

  1. Faith in natural goodness – a human is born without taint or sin
  2. Perfectibility of a human being – it is possible to improve situations of birth, economy, society, and religion
  3. The power of reason 
  4. The attitude of helping everyone
  5. Outdated social institutions cause unsociable behavior – religious, social, economic, and political institutions, which have not modernized, force individuals into unacceptable behavior (in response to the Great Awakening and the Salem Witch trials)

Functions of the Writers of this Period

  1. A searching inquiry in all aspects of the world around
  2. Interest in the classics as well as in the Bible
  3. Interest in nature
  4. Interest in science and scientific experiments
  5. Optimism – experiments in Utopian communities
  6. Sense of a person’s duty to succeed
  7. Constant search of the self – emphasis on individualism

 

(*note: the end of the above video covers Revolutionary literature)

11th Grade American Literature Fall 2019

Diagramming Sentences – Adjective and Adverbs

Before you can effectively write using the English language, or even analyze how others use writing effectively, you need to be familiar with the basic parts and components of the English language. Knowing and being able to identify these smaller component of your own language will allow you to write more effectively and assess and improve your own writing as the year progresses.

This week we will be examining how to correctly diagram adjectives and adverbs. Remember, you must pay attention to whether the adjective or adverb describes the verb or subject or direct object of a sentence, or if the adverb is modifying an adjective to determine where you should place it in your diagram.

Please watch the video below if you need an example, or didn’t get the notes from class.

image from english-grammar-revolution.com

You will be diagramming the sentences below as examples:

  1. Two fat birds chirped.
  2. That cute baby has been laughing.
  3. Will my mother sing?
  4. The lovely, scented candle burned brightly.
  5. Very politely, Henry bowed.
  6. The little red bird flew rather gracefully.

    image from english-grammar-revolution.com

  7. Where did that fat cat go?
  8. Who is eating so noisily?
  9. Can my chicken stay here?
  10. Stop rudely slurping that soup!
11th Grade American Literature Fall 2019

Naturalism in American Literature

As we move away from the Realist period in American literature and into the 20th century, we approach the literary period known as ‘Naturalism’. While many of the other periods of writing in American literature had fairly distinct timelines and major events that acted as ‘endcaps’, the Naturalist period overlaps many of the other time periods – Realism, and The Harlem Renaissance. While very similar to Realism, there are distinct differences between the two periods:realism-and-naturalism-in-acting-context-6-638

As we read through these texts, pay attention to how we are finally presented with stories that have characters who struggle with their emotions and their own psychology. We will also be examining stories that develop the struggles of characters in poverty and characters who are disenfranchised in society.

 

Please watch the video below to catch up on your in-class notes if you missed them!

11th Grade American Literature Spring 2018

Charlotte Perkins Gilman – The Yellow Wallpaper

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Over the next two days we will be reading the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. A feminist, social reformer and novelist, Gilman based the story of “The Yellow Wallpaper” on her own experiences with depression and the popular 19th century ‘rest cure’. In her short story she examines the impact that this ‘cure’ has on the mental state of her female protagonist, and makes a clear statement against the control that a patriarchal society held over every aspect of women’s lives in the 19th century.

 

As we examine this text, remember to apply the lens of Feminist Criticism to your analysis. If you’ve forgotten how to do this, remember:

Feminist Criticism:  Feminist criticism is concerned with the impact of gender on writing and
reading. It usually begins with a critique of patriarchal culture. It is concerned with the place of female writers in the literary cannon. Finally, it includes a search for a feminine theory or approach to texts. Feminist criticism is political and often revisionist. Feminists often argue that male fears are portrayed through female characters. They may argue that gender determines everything, or just the opposite: that all gender differences are imposed by society, and gender determines nothing.

Advantages: Women have been underrepresented in the traditional cannon, and a feminist approach to literature attempts to redress this problem.

Disadvantages: Feminists turn literary criticism into a political battlefield and overlook the merits of works they consider “patriarchal.” When arguing for a distinct feminine writing style, they tend to relegate women’s literature to a ghetto status; this in turn prevents female literature from being naturally included in the literary cannon. The feminist approach is often too theoretical.

Checklist of Feminist Critical Questions:

  • To what extent does the representation of women (and men) in the work reflect the place and time in which the work was written?
  • How are the relationships between men and women or those between members of the same sex presented in the work?
  • What roles do men and women assume and perform and with what consequences?
  • Does the author present the work from within a predominantly male or female sensibility?
  • Why might this have been done, and with what effects?
  • How do the facts of the author’s life relate to the presentation of men and women in the work? To their relative degrees of power?
  • How do other works by the author correspond to this one in their depiction of the power relationships between men and women?

Please click here for access to Gilman’s story “The Yellow Wallpaper”.

11th Grade American Literature Spring 2018

Paul Lawrence Dunbar – We Wear the Mask

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Paul Laurence Dunbar was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Dunbar’s parents had both been slaves prior to the Civil War, and he was apart of the first group of African Americans to be born free and emancipated from slavery in the United States. His work focused on the dialect and language of the Southern slaves and African Americans, though he had a difficult time publishing this work. He wanted to record and preserve the language of the southern African Americans, as slaves had been kept illiterate, and he knew that this history would be lost. Eventually Dunbar would go on to write poems, stories and articles in standard forms, and would receive acclaim and praise for them.

 

In class we are analyzing Dunbar’s poem ‘We Wear The Mask’, and tracing how not only the tone of the poem shifts in each stanza, but also how the speaker feels about the ‘mask’ they where. Please be sure to analyze this poem thoroughly, and it will be on your test!

 

Click here to access Dunbar’s poem.

11th Grade American Literature Spring 2018

Lincoln’s Oration

As we continue to examine primary source documents from the Realist period of American Literary history, we turn to one of the country’s most amazing Presidential writers, Abraham Lincoln.

We have discussed how a speaker’s audience, purpose and persona impact their writing and oration, as well as the way they employ rhetorical devices.

 

11th Grade American Literature Spring 2018

Women’s Rights – Sojourner Truth and Elizabeth Cady Stanton

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One of the major issues that we are examining during the Realist period is the fight for women’s rights. In class we will be examining the work of two women – Elizabeth Cady Stanton and Sojourner Truth.

Each of these women worked to further the cause of suffrage and the abolitionist movement.

One of the main figureheads of the suffrage movement in America, Stanton wrote the ‘Declaration of Sentiments’, which were presented in 1848 at the Seneca Falls Convention. Stanton not only fought for women’s right to vote, but also for women’s property rights, employment rights, custody  rights, and right to birth control.

 

Click here to read her ‘Declaration of Sentiments’

sojourner_truth_lc1In addition to Stanton, Sojourner Truth also worked to support the cause of suffrage and abolition. Born into slavery, Truth would have 13 children (11 of them sold into slavery themselves, never to be seen again) before escaping to freedom. She then took on the role of public speaker, and used her own experience to encourage others not only to support the abolition of slavery but also the equality of women. Though she was illiterate herself, her speaking was clear and powerful. Many different versions of her famous ‘Ain’t I A Woman?’ speech exist today, but all of them share the similarity of tone and passion.

Click here to read her speech ‘Ain’t I A Woman?’

Also, please watch the amazing performance of Truth’s speech, performed at Kansas State University’s 8th Diversity Summit on April 1, 2011 by Ms. Pat Theriault.

BONUS: Did you know that the original document ‘The Declaration of Sentiments’ has been lost? Click here to listen to an AMAZING podcast episode from the ladies over at ‘Stuff You Missed in History Class’ to learn more!

Be sure to watch the second half of the ‘Women in the 19th Century’ Crash Course video below!

11th Grade American Literature Spring 2018